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Villa Savoye : ウィキペディア英語版
Villa Savoye

Villa Savoye ((:saˈvwa)) is a modernist villa in Poissy, in the outskirts of Paris, France. It was designed by Swiss architects Le Corbusier and his cousin, Pierre Jeanneret, and built between 1928 and 1931 using reinforced concrete.〔(Villa Savoye à Poissy: Tourism Industry ). Centre des monuments nationaux. Retrieved on January 19, 2011. (French)〕〔Courland, Robert. ''Concrete Planet''. Prometheus Books, Amherst, NY. (2012) page 326.〕
A manifesto of Le Corbusier's "five points" of new architecture, the villa is representative of the bases of modern architecture, and is one of the most easily recognizable and renowned examples of the International style.
The house was originally built as a country retreat on behest of the Savoye family. After being purchased by the neighbouring school it passed on to be property of the French state in 1958, and after surviving several plans of demolition, it was designated as an official French historical monument in 1965 (a rare occurrence, as Le Corbusier was still living at the time). It was thoroughly renovated from 1985 to 1997, and under the care of the Centre des monuments nationaux, the refurbished house is now open to visitors year-round.〔(Villa Savoye - A machine for living ). Ultimate House. October 16, 2007. Retrieved on January 19, 2011.〕〔(Travel review of a visit to Villa Savoye ).〕
==Background==
By the end of the 1920s Corbusier was already an internationally known architect. His book ''Vers une Architecture'' had been translated into several languages, his work with the Centrosoyuz in Moscow involved him with the Russian avant-garde and his problems with the League of Nations competition had been widely publicised. Also he was one of the first members of Congrès International d'Architecture Moderne (CIAM) and was becoming known as a champion of modern architecture.〔Curtis (2006), p. 93〕
The villas designed by Corbusier in the early part of the 1920s demonstrated what he termed the "precision" of architecture, where each feature of the design needed to be justified in design and urban terms. His work in the later part of the decade, including his urban designs for Algiers, began to be more free-form.〔Benton (1987), p. 192〕
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抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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